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рддрддреНрд╕рдо рдФрд░ рддрджреНрднрд╡ рд╢рдмреНрдж рдХреА рдкрд░рд┐рднрд╛рд╖рд╛,рдкрд╣рдЪрд╛рдирдиреЗ рдХреЗ рдирд┐рдпрдо рдФрд░ рдЙрджрд╣рд╛рд░рдг - Tatsam Tadbhav

рддрддреНрд╕рдо рд╢рдмреНрдж (Tatsam Shabd) : рддрддреНрд╕рдо рджреЛ рд╢рдмреНрджреЛрдВ рд╕реЗ рдорд┐рд▓рдХрд░ рдмрдирд╛ рд╣реИ тАУ рддрдд +рд╕рдо , рдЬрд┐рд╕рдХрд╛ рдЕрд░реНрде рд╣реЛрддрд╛ рд╣реИ рдЬреНрдпреЛрдВ рдХрд╛ рддреНрдпреЛрдВред рдЬрд┐рди рд╢рдмреНрджреЛрдВ рдХреЛ рд╕рдВрд╕реНрдХреГрдд рд╕реЗ рдмрд┐рдирд╛...

KISHANGARH SCHOOL OF PAINTING(17th-18th Century AD)


тЬЕPaintings at Kishangarh is associated with the most romantic legends тАУ 

тЮбя╕ПSawant Singh and his beloved Bani Thani, and intertwining of lives and myths, romance and bhakti.

тЬЕAfter surveying earlier developments in Kishangarh, the focus is on the interplay between Sawant Singh (the prince and lover), Nagari Das (the poet), and Nihal Chand (the painter) who created some of the most legendary paintings under this school.

тЬЕIt is sometimes argued that the women in тАШbani thaniтАЩ is said to resemble the character of Radha. 

тЬЕShe has a distinctive profile and has lotus like elongated eyes, thin lips and a pointed chin. Her тАШodhniтАЩ or headgear defines her side profile.

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